The music files are stored on an external G-Technology 4 TB G| USB-C drive, powered by a HDPLEX 200W linear power supply. The PS Audio is symmetrically connected to the Audia Flight FLS1 preamp, which in turn is symmetrically connected to the Audio Flight FLS4 power amp. I am not actually surprised that the sound characteristics described above are also immediately apparent over the PS Audio. That is all grist to my mill. I never tire of emphasizing that a serious digital chain has to start right at the beginning at the server and not just at the DAC. This realization gets corroborated in direct comparison to my Sony notebook. The two cascaded Mutecs can rectify certain things but by far not everything. I can pinpoint the main differences in two important characteristics of the HD-Player:
Firstly, there is this supreme tonal balance. Let’s listen to the 1. Movement from the „Divertimento K. 136“ by W. A. Mozart with the Academy of St. Martin In The Fields under Neville Marriner (Decca Legacy Volume Four - FIM UHD). The recording engineer captured the sound of the strings brilliantly, which does not mean that they always sound round and mellifluous. The HD-Player 2 manages to sound just right, incredibly natural and stress free, without any hint of harshness. That is a real humdinger.
Over the Sony notebook the strings have a certain brilliance, which at first glance does not sound unpleasant, but strikes me as rather unnatural in direct comparison. I would characterize it as faux “digital brilliance”, which has probably more to do with computer artefacts. That reminds me of a recent elaborate comparison with a CD player in my playback chain. Connected via its tuned S/PDIF output to the PS Audio DAC, the CD player was tonally much closer to the HD-Player 2 than to the Sony notebook. Who was it that claimed, ripped CDs played back via a computer always sounded better than via a classical CD player connected to a good DAC?
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