Only once did I have my thumb directly on the mute button again: Maximilan Merk was visiting to find out about the current status of the settings and had brought Peter Gabriel's album Up with him. The deepest electronic sounds can be heard on "Sky Blue” - ideally suited for testing, but otherwise rather nothing for me. The Thiele TA01 and the Etna mastered the enormous demands completely unimpressed and the Veloynes and Aeon Fines didn't show any distress: There was nothing boomy, the sounds came across very differentiated and clean. One could enjoy all the advantages that an almost unlimited low-frequency reproduction brings with it, without the sound seeming even slightly thickened. By the way, I didn't need to press the mute button here either. After so much electronic sound we deserved something special: Wolfgang Puschnig's "Peace" from the album Chants, not from the hard disk, but from tape. Quinton Records gave me a copy of the mix-down years ago, that is, the first two-channel version of the recording, free of any compression or final mastering interventions. I like to use the title to show what sonic potential lies in such seemingly antiquated technology as tape machines. I have never heard the piece sound as good as with the two Velodynes. A dream!
The question still remains how the sonic gain due to the two subwoofers is to be classified. For me, the differences between the reproduction with and without are clearer than, for example, the differences in sound between Lan switches such as the Telegärtner M12 Switch Gold and the SOtM sNH-10G i plus sCLK-OCX10 or the SOtM-Duo and the Ansuz Acoustics PowerSwitch D-TC Supreme. The price difference between the switches approaches in the first case the investment necessary for the purchase of a DD+ 10, in the second case it is greater than the sum to be paid for two Velodyne. Even if you put the costs of cables and other high-end accessories in relation to the possible sound improvements, there is a lot to be said for buying subwoofers, especially since the optimal solution can be achieved with two of them step by step. Do you have to think about it for a long time?
By the way, while writing this article I listened to the album Travel Guide by the three guitarists Ralph Towner, Wolfgang Muthspiel and Slava Grigoryan, and turned the Velodynes on and off every now and then. And even if guitar sounds don't romp in frequency ranges where the DD+ 10 are active, the ECM production was simply more fun with subwoofers.
Listened with
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Turntable | Brinkmann LaGrange with tube power supply |
Tonearm | Thales Simplicity II, Einstein The Tonearme 12“, Thiele TA01 |
Cartridges | Transrotor Tamino, Lyra Olympos SL and Etna |
Phono Stage | Einstein The Turntable's Choice (balanced) |
Tape machine | Studer A80 |
NAS | Melco N1Z/2EX-H60, WDMyCloud |
Streamer | Auralic G2.1 with 2TB SSD |
Up-Sampler | Chord Electronics Hugo M-Scaler with Poweradd or Ferrum Hypsos |
D/A converter | Chord Electronics DAVE with linear power supply |
LAN-Switch | SOtM sNH-10G i with Keces P8 |
10-MHz-Clock | SOtM sCLK-OCX10 with Keces P8 |
Preamplifier | Audio Exklusive P7 |
Power amplifier | Einstein The Poweramp |
Loudspeaker | Göbel Epoque Aeon Fine |
Subwoofer | Velodyne Digital Drive Plus 10 (2x) |
Cables | Goebel High End Lacorde Statement, Audioquest Dragon HC, Tornado (HC) and Dragon Bi-Wiring, Swiss Cables, SOtM dBCL-BNC |
Accessories | AHP Klangmodul IV G, Audioquest Niagara 5000 and 1200, Synergistic Research Active Ground Block SE, HMS wall outlets, Blockaudio C-Lock Lite, Acapella bases, Acoustic System feet and resonators, Artesania Audio Exoteryc, SSC Big Magic Base, Finite Elemente Carbofibre°-HD, Harmonix Room Tuning Disks, Audio Exklusiv Silentplugs, Arya Audio Revopods, 10Gtec Media Converter (2x) with Keces P3 and SBooster BOTW P&P Eco MKII, Singlemode Duplex Fiber Optic Cable |
Manufacturer's specifications
Velodyne DD-10+
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Driver | 10" forward stepping |
Amplifier Class D | 3000W dynamic, 1250W RMS |
Frequency response general | 10,5 - 300Hz |
Frequency response ± 3 dB | 18,7 - 120Hz |
Harmonic distortion | <1% (typisch) |
High-pass crossover | 80 or 100Hz at 6dB/octave |
Lowpass crossover | 4Hz to 199Hz (variab.in 1Hz.steps), selectable slope, default 80Hz at 24dB/octave |
Phase | 0 to 180 degrees, adjustable in steps of 15 degrees |
Polarity | adjustable (+/-) |
Magnet body | 15,9kg |
Voice coil | six-layer, 65mm |
Membrane | laminate of fiberglass and Rohacell |
LFE input (mono) | line level (RCA) nominal impedance 47KOhm |
Line inputs (L+R) | unbalanced (RCA), balanced (XLR) |
Microphone | input balanced (Mini-XLR, Mini-XL cable included) Speaker input bare wire, banana plugs, forks |
Outputs pass-through (L+R) | line level (RCA & XLR) |
Outputs high-pass (L&R) | line-level (RCA & XLR) |
Included accessories | full remote control, DD+ accessory kit and video cable |
Finish | ebony black glossy, cherry or walnut satin |
Dimensions (H/W/D) | 361/330/419mm incl. feet and connectors |
Shipping weight | 34kg |
Price | 4,600 euros |
Distribution
Audio Reference GmbH
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Address | Alsterkrugchaussee 435 22335 Hamburg GERMANY |
Phone | +49 40 53320359 |
Fax | +49 40 53320459 |
Web | audio-reference.de |